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Monster's Ball (2001) - Make Me Feel Good Scene (9/11)
Oh, I don't mean the kind of hate you feel for the guy who killed your grandfather or hurt your children, but rather the kind of hate you have for people you haven't met yet. It's a frustrating work with moments of undeniable power. Buck says something foul to Leticia and Hank sweeps years under the rug by shipping him off to a nursing home where his roommate is a black man, natch. In the first one, Halle exposes her breasts and most of her buns. The film's strongest scene happens early in the film, when Leticia brings Tyrell to visit his father one last time. In one of the film's most powerful scenes, she pleads, even demands, that Hank make love to her. At the film's outset, Hank's core decency is a faintly heard pulse beneath his stoicism, but Billy Bob gradually makes the pulse heard, largely in dialogue-free scenes which show Hank doing every day things driving to work, buying ice cream, painting, mowing rather than indulging in revelatory soliloquies. What we don't know is how deeply the two will fall in love, or what she'll do when she learns the truth about Hank. Billy Bob Thornton is a white racist jailer who has an affair with the black wife of a black man whose execution he supervised although he is unaware of the connection at first. Berry is at her best not in the scenes where she's hysterical, but rather in the quieter scenes where she does nothing more than listen and react. This makes the flow of the story have a choppy feel that causes me think that the writers are more concerned with scripting the parts and not the whole. After a night of whiskey and naked need, Hank discovers her identity, but keeps it to himself and continues to woo her.
What felt for all the world like an anti-death penalty anti bigotry movie tried to convince me that it was a love story about how Thornton and Berry, with the common experience of losing a son, found redemption in each others arms. On the way to the chair, Sonny vomits on the floor - perhaps out of fear or sadness. Sonny broke the number one rule of masculinity: If Berry goes on to win Best Actress at the Oscars she will be the first black actress to ever win in the lead category. Forster does a wonderful job of fulfilling what screenwriter William Goldman called the key ingredient to making a good film - telling the story we expect, but not in the way we expect it. This sends Hank over the edge. And boy, does Sonny pay for it. All Buck has to say is that Hank's mother wouldn't want "those kind of people" around to make Hank take a shotgun to the two boys and snarl "get off my property. We don't really know. That works at cross-purposes against the realism of the acting styles and the low-key resolution of the film. We're given no background as to why Hank would allow Buck to overshadow his life then jettison him after one incident. Her Leticia is complex, her reactions unexpected. Women are used in various ways to further each character's agenda. Rapper Mos Def appears as Hank's neighbor. Young Coronji Calhoun gives a sympathetic performance as a kid with an eating disorder whose mother doesn't understand that it is beyond his ability to control it. In one of the film's most powerful scenes, she pleads, even demands, that Hank make love to her. The actress takes it to the edge and strips herself, emotionally, bare as she convincingly displays the utter grief that envelopes Leticia. Nothing is simple in this world. Her son Tyrell 'hangs' his fathers' sketches on his bedroom walls by simply pressing them there. Tighter production and writing would have benefited the film. There are solid, intense high points to the film, but the minimalism predominates too much. Pop is a lifelong bigot and racist and Hank grew up with prejudice so ingrained that he, himself, believes his father's vitriol. In fact, the key to the Oscar-nominated script is its complexity. Tragedy strikes both the Musgrove and Grotowski families, leaving Hank and Leticia adrift in their grief and stumbling to create new lives for themselves. First we see Sonny complete what amounts to a sadly desperate act, bereft of feeling, then later we see Hank attempt the same act with the same woman, yet something stops him cold. Diddy," and the film that the marquee at the Laeemle theater in L. The attraction for both is the overwhelming need for each, emotionally, when they have had to keep such needs bottled up within.
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